“The Way Home” was snapped up by Hotline Miami 2, so prepare to hear their music all over video games in the future.
#Magic sword band rym full#
On Magic Sword’s re-released full length, “ Volume 1 ,” via Tender Loving Empire, tracks announced themselves with weaving keyboard figures or ominous, oscillating basslines. Like Daft Punk, they’re successful everywhere, from outdoor raves to small rock clubs. Nonetheless, around as long as current teenagers have been alive, Daft Punk isn’t playing at anyone’s house much anymore, and to fill that void, Magic Sword’s live show goes large with lights and beats, replicating their studio constructions with whammy-bar guitar and in-your-grill drumming. Zoom, notorious for a 2013 viral video featuring him literally popping his eyes out of their sockets (a condition known as proptosis) in time to Daft Punk.ĭaft Punk is certainly an inspirational touchstone for Magic Sword, although Magic Sword don’t completely share Daft Punk’s booty-shaking beat fetish. For a promo video in 2014, a hyperbolic screed aligned with Magic Sword’s comic book plotlines was delivered by Britain’s John Doyle, aka Mr. Magic Sword’s strategy is similar, and no less fun. Gwar has long disguised their marketing degrees behind alien costumes Nation of Ulysses entertainingly remained in political character during interviews. In performance, they remain masked and cloaked. Those pseudonyms are all that’s easily known about Magic Sword’s personnel. Enlisting Boise, Idaho based artist Shay Plummer, Magic Sword’s mythology lands with intriguing comic book installments, in which a ‘magic sword’ figures prominently and plotlines feature band member slash characters like the Keeper of the Magic Sword, the Seer of All Truths, and The Weaver of all Hearts and Souls. They’re also a full experience – a 360 degree roundhouse of live spectacle, fictional identities, and illustrated accompaniment on the page. For one thing, they’re uniformly vocals-free.
#Magic sword band rym update#
Magic Sword may have materialized momentarily to witness synthmetal’s earliest incarnation, but they aren’t content to only update with touches of Kavinsky -esque synthesizer and modern-pedal guitar shred. ” Or, if you professionally crate dig: Neal Schon and Jan Hammer’s “Untold Passion ” album. ” Ronnie James Dio’s “ Rainbow in the Dark. To wit: The soundtrack for the film “ Heavy Metal. Around 1981, synthwave and pop-metal had a one-night-stand. But mostly because Basil Rathbone is such a badass as the evil wizard.Let’s take a trip. It was fun to watch and there was never a dull moment. Other than that, the film is pretty family friendly. A couple of other scenes were just due to some really disturbing makeup effects.
There's some boobage, though very brief, near the beginning (although the version I saw blotted it out with a mosaic. There might be a scene or three that might be deemed inappropriate for very young children. The dragon effects near the end were really cool. The special effects, though a bit cheesy compared to what we're used to seeing these days, were still pretty good considering the time the film was done. The film moves along nicely from scene to scene and didn't seem to drag anywhere. The acting is just a bit on the hammy side, but I think it's one of the things that made watching the film fun. Despite the use of the tired old "save the princess" plot, the film itself is surprisingly good and was a lot of fun to watch. The sword in the title has to do with the fact that the main character wields a sword that apparently has some kind of magical powers.
Anyway, the plot of The Magic Sword is your typical "brave knight goes on a quest to save a princess from an evil wizard" deal. I don't know much about the legend myself, but I probably would after a bit of searching. George and the Dragon, or so I read on Wikipedia.
The film is based loosely on the medieval legend of St. While it's still fresh on my mind, I thought I would crank out a review. A friend of mine lent me their copy of The Magic Sword, a 1962 film directed by Bert I.
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